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BABAL
The Circle of Confusion of Tongues
(2018 - Melodic Revolution Records - USA)

https://babal.bandcamp.com/album/the-circle-of-confusion-of-tongues

https://www.youtube.com/watch?v=ekgxhaNMFjo

A 4th album and part one of a trilogy planned out, by UK avant-garde funk/psychedelic/allsorts/art outfit Babal, who is Rob Williams  (guitars/keyboards), Karen Langley (vocals/lyrics), and Jon Sharp (drums). Guest musicians include: Zoie Green (keyboards) and Ben Balsom (bass).

As a note of interest, 'The Glacier' EP is part 2A, and 'The Big Everything' EP is part 2B of this trilogy. Forthcoming as the completion is '(I'm Just a) Spirit in a Meat Suit', scheduled to be released in 2019.

Babal is one of those groups that listening to their music from a stereo (or any personal sound source) is quite an experience in itself, but seeing them perform live is yet another lift off to the stars, altogether. A view of the You Tube video link I supplied above will clue you in. First off, no question that Babal is an ever evolving group. If you listen to the catalog of their releases starting back in 1999 ('Collaborating with the Inevitable : Wise Children'), you have a more basic funk rock sound with only bits of the psychedelia, and 2012's 'Bread and Circuses' showcases Karen's vocal range, that approaches the Happy Rhodes world, while the compositions spread their wings exploring variety and dramatic presentations.  With 'The Circle of Confusion of Tongues', the band has combined all their skills into a theatrical fusion of Lemon Kittens/Insane Clown Posse/Mother Gong/the haunting early atmosphere of Jefferson Airplane/some nods to King Crimson thanks to Rob Williams' guitar work/and even some shades of later period Martha and the Muffins (with a lower female vocal register).
 
Beginning with a trippy Frank Zappa styled funked out number called 'Teeth of the Universe' (a video of that is featured at the Bandcamp link provided above, where you can also buy all their music), the songs have a mission to reveal black holes, dangerous emotions, the grimness of many circumstances around the world, and the often ignored subject matter around the human spirit and little things that are happening that people just seem to miss. Some of the songs ('Monkey on my Back' - track 6) are like Nico fronting a doomsday post punk band, with exorcisms of Karen's voice going into Diamanda Galas territory. She has not only a giant stage presence, but a dynamic vocal skill that allows the music to be all it can be, and then some. 'The Foot High Guy' (track 7) will have you seeing 1980's cold wave styling in the Siouxsie and the Banshees/ Danielle Dax arena. 'Skating on the Pond' (track 11) begins with cathedral organ, keeps that Nico melancholy, and allows a relaxed state of being for the listener. The beautiful song on the disc, among the more aggressive songs, that just circle you and rope you with impossible to ignore words and music.

Babal have an unending energy and desire to make important and much needed recordings. It is rare to have such a collection of musicians (Babal being fundamentally two people since inception - Karen and Rob) who have what is so strong a set of messages to tell the listeners, the world, and to make those words with the music so appealing and emotionally accurate. This is music that is alive and kicking, huffing and puffing, ready to blow your mind, and give you a great experience at the same time.

   ©Reviewed by Lee Henderson 4 - 20 - 2019
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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