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CAROLINA HOLZAPFEL_Contentate Con Poquit
CAROLINA HOLZAPFEL TRIO
Contentate Con Poquito
(2018 - Mauco Records - Chile)

https://carolinaholzapfel.bandcamp.com/album/contentate-con-poquito-2

https://www.youtube.com/watch?v=PZnXWOaF6rQ

Another absolute masterpiece from Chilean extraordinary vocalist, keyboardist, and composer, Carolina Holzapfel, this time under the 'Trio' moniker, although her first was a solo ('Selfie' 2016) using these same fantastic musicians. The music is even broader and more magnificent (if you can believe that) than 'Selfie', with the same elements of dramatic, fusion, classical, jazz galore, odd touches, all under a unique avant-garde that she has a stamp on.

These compositions sail out so far above the world of even the more abstract and unconventional jazz infused artists. To even describe the music here to a general audience is difficult. For the most adventurous and progressive minded music lover, try and imagine a combination of Kate Westbrook, Diamanda Galas, Kate Bush, Laurie Anderson, Mylene Farmer, Toyah, Ingrid Karklins, and Anja Garbarek, on a carousel of vocal parts (sometimes all in one song), with a classical and theater piano backed by a random boost of exotic to anything goes musicians. I described her 'Selfie' album with some similar artists like Dagmar Krause (Slapp Happy), a mature Lene Lovich, Kate Bush, Toyah, and Flora Purim gone even more avant, and a female version of Peter Hammill. And so she can move from place to place with ease. And her operatic, whimsical, daring, sensuous ballad, to classical and jazz excursions, still remains stronger than ever. I should point out this is a 3 piece band, so there is an amazing concoction of instrumentation from Carolina (piano and vocals), Pablo L'ontreras (bass) and Raul Diaz (drums, percussion). The trio is deceptive in that the bass player uses effects to create heavy guitar and even keyboard sounds, and with Carolina's keyboards and voice, along with multi-skilled drums and percussion, the band sounds twice as big.

From the storming waves of heavy matter, bringing in some  grind, quickly switching to intimate ballad, bouncing right to theatrical stage performance, the listener is never left in a lull (that is actually an understatement). Being able to see this band live would be a life changing event. There could be no fools in the audience looking at their cell phones, nothing but gazed over looks at the stage, being in awe of what they are witnessing. Indeed! In case you can't imagine all the many colors of Holzapfel's music, just allow faith to take over your decision to buy her recordings. In my five decades of loving and listening to thousands of records, I have been stunned by the greatness of Carolina's compositions and execution of them. The over used word 'amazing' is properly attached on this stuff.

She took a break from performance after 'Selfie' to have a baby, but with this return on 'Contentate Con Poquito' in the recording sessions of 2017, she has only gotten more superior, MOTHER SUPERIOR! Check out a song from You Tube that I have given the link to at top. Then go buy the release at the Bandcamp link I also give. The physical Cd gatefold package is great.. The cover art is subtle but perfect. It portrays a soft pastel artwork of a woman hanging her head from a back shot, with a mystery as to what might arise from her. Exactly what the style of Carolina Holzapfel displays. A surprise every moment. RECORDING OF OF THE YEAR for 2018. It left me speechless the first listen. THE HIGHEST RECOMMENDATION I CAN GIVE!  

  ©Reviewed by Lee Henderson 12 - 19 - 2018


 
AQUA FRAGILE_Moving Fragments_COVER.jpg

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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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