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DINOSAUR
To The Earth
(2020 - Edition Records - EU)

https://dinosaurband.bandcamp.com/album/to-the-earth

Each Dinosaur album (this 'To The Earth' being their third) has been a major evolution in a four piece jazz/fusion/outer limits experience. Their trumpet led outfit went through a Ferris wheel of classic ECM brilliance on their debut ('Together As One' - 2016), then on their sophomore ('Wonder Trail' - 2018) they blew the stars out of the sky with added electronics, new music organics, celestial exploration, dub, and futuristic shades all over the map. This continues the elegance and exiles of anything away from the norm. In fact Dinosaur refuse to sit idol or get comfortable for too long in their already extremely inventive format. Each recording has been a discovery of new ideas, sounds, and unique combinations. While the members may feel empathy for the prehistorical life form that their band name denotes, they also seem to be saying "here is how we would have survived and here we are in your presence for proof".

Interestingly, the band notates a hypothesis/theory as to the demise of the dinosaur, being a too large for its brain creature and not being able to think quickly enough and rise to the challenge, opposed to the smaller population who could run around them, steal and eat their eggs, and make the huge beast extinct. Perhaps I am correct in the feeling this band is taking risks, making unpopular moves, and carrying on as if to stand in for the said giant, conquering in at least a most inventive musical world, all that is good and great.

Leader, trumpeter and composer Laura Jurd (also tenor horn, flugelhorn) has made marvelous music with Elliot Galvin (piano, synthesizers), Corrie Dick (drums) and Conor Chaplin (double bass) for nearly a decade. For fans, they can find more of her music on her solo work. The supporting artists are clearly on the same page and are able to take the ball and run far, tumble in fantastic methods, and give new life to all notes penned. While not quite as far into the ether as their second, 'To The Earth' still grabs exotic bebop, abstract free jazz, collective fusions of multiple sources, and those supreme twists that give the listener what they crave. The music is like a traveling circus of jazz that makes stops at a dozen countries all on one recording. A no holds barred jazz blend to please the adventurous spirit who loves something composed and well thought out. GIANT RECOMMENDATION.

  ©Reviewed by Lee Henderson 6 - 28 - 2020

 
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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