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EXISTENCE

Origins

(2017 – BLACK PEARL PRODUCTIONS – Canada)

http://www.blackpearl.ca/Existence_-_Origins.htm

Led by Alan Charles, this is a double CD that is the result of the debut release of the band not being able to properly complete their intended project from 1992. The composing of material actually began in 1987. Remakes of songs from that single disc version, with additions for the two disc set, brings Existence to the most accomplished and refined they have ever sounded. While in the progressive genre, it has a strong traditional folk presence at the beginning, with plenty of violin and rock energy. It is what I would classify as progressive folk rock, with fusion of theatre, ballad rock and even classical. The recording is a concept work and the vocals/lyrics tell a story throughout the compositions. The two sides are divided into two subtitles, CD 1: Fragile Whisperings Of Innocence (which has 7 songs) and CD 2: Silent Screams In Violence (which has 6 songs).

At different points in ‘Origins’, I am reminded of certain groups. As references, these include the more soft ballad tunes of early Saga (example track 4 ‘Living For You’ and track 5 ‘Autumn Brain’). I am also sure some will hear a touch of Kansas due to the violin being often used as the lead and the sometimes hushed vocals. The first side ends (‘Last Dance With Happiness’) with female vocals which has a dramatic/stage presentation to it, ending with lush mellotron. The music would be a joy to hear in a theater or medium sized cozy venue where the balance of intimate and the emotional content can be appreciated.

Side two begins with ‘The Pawn’, which again reminds of Saga, especially the vocals. The piece builds towards the end with a soaring reprise. The following track ‘Aftermath’ is all instrumental and very enjoyable with a Celtic drive and gist. Most of the content on the album has a nice variation of elegant to dashing, then back to subtle. The dynamics are outstanding. ‘Seasons, The Theme part III’ has the only acoustic guitar intro along with waves on a beach, children playing, and then as quick as that, it is over. The last song ‘This One’s For You’ has the most upbeat and happy feel, with a slight departure from the other stylings, but still retains the formula of the excellent changes and textures of a fine multiple stage composition.

It’s hard to fault Alan Charles with this supremely designed double disc, with it’s six panel fold open package, glossy cover, marvelous art work, and nice production. The music is enjoyable and consistent. The entire project is commendable. Musicians on ‘Origins’ are Gerard Leveque : Drums, Francois Beaugard : Violin, Alan Charles : Piano, keyboards, acoustic & electric guitars, bass, voice, Valery Kim Gosselin : Voice, Gaston Gagnon : Guitars (The Last Battle & Last Dance With Happiness intro), and Richard Ranger : Bass (The Last Battle & Prisoner of Time intro). Everyone did a admirable job and each should be proud.

Reviewed by Lee Henderson 12 – 14 – 2017

EXISTENCE_Origins_cover.jpg
AQUA FRAGILE_Moving Fragments_COVER.jpg

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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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