top of page
EYELESS IN GAZA_Winter Sang_COVER.png
EYELESS IN GAZA
Winter Sang
(2018 - A-Scale - UK)

https://eyelessingaza.com/

With well over 30 years of creating their own unique music, after all this time, still no one comes close to sounding like them. Eyeless In Gaza have produced another amazingly beautiful, big feathery bed of songs. Instantly, with 'Never Going Back' (track 1), Pete Becker and Martyn Bates make the hair stand up on the back of your neck, with classic EIG sound. With the staggeringly supernatural structures, the one of a kind part breathy, part heartbreaking, and restful innocent spirit of Martyn's vocals, the combination of Pete's multi-instrumentation, along with even more numerous instruments by Bates, just somehow becomes a miraculous chemistry, not before heard by the humans of planet earth.

So many times EIG have been able to blend an odd mix of jangly, somewhat psychedelic, alternately haunting ballad, and even sporadically experimental and sometimes noisy compositions, that compliment one another. The duo have a stunning ability to sit each diverse song on the same platter, and have them all be woven together like a handmade blanket of attractive, oddly cut patches. The beautiful result is such a warm throw, that your great grandmother might have made with her gentle hands. Suave pieces from different eras, sometimes ancient, some mod, odd, and a few from no man's land.

Expect the tearful ballads like 'I Also Dwell' (track 5), that could have come from their brilliant ground breaking 'Red Rust September' album. But far from retro, EIG have a more full sound then ever, if you can believe it is only two artists making this rich and sometimes thick sound, with lots of reverb, sweetly placed layers, and the cool collection of instruments that both have clearly mastered. Bates and Becker show the world they still have every ounce of their creative thinking caps left. 'Older Day' (track 7) is one of the most gorgeous songs they have ever made, and that is saying a tremendous thing. Worth the price alone.

The dreamy deliciousness of 'Winter Sang' stands tall among the stars. Certainly a best of 2018, and not to be missed by fans and the curious alike. 'Amazed' (track 9) is another beauty beyond belief. Ending the unforgettable recording is 'Gentle', yet another masterpiece to leave you gently hurt, bathed in angel wings. The lyrics are inside this beautifully made 6 panel digipak, with picture disc. EIG gives us 10 new tunes that are as great as anything they have ever done. HIGHLY RECOMMENDED!

 ©Reviewed by Lee Henderson 12 - 29 - 2018
​
​
AQUA FRAGILE_Moving Fragments_COVER.jpg

© 2023 by Name of Site. Proudly created with Wix.com

 
 
BIG BEAUTIFUL NOISE
 

A  magazine focused on inventive, progressive, and creative music in any genre that stands out from the rest
​
​
​
​
Payments of any amount (all donations, no matter how small, are truly cherished) can be sent by PAYPAL  to:
drumlee@proton.me
​
This magazine exists on kind donations and music related advertisements (although the ads are limited and in no way accepted for favors in reviews). All funds are used to pay for website, domain, and the endless hours of work that is required to keep the reviews and various information  in process. Any donation is extremely appreciated. Thank you.
​
PayPal ButtonPayPal Button

ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

bottom of page