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GRICE
One Thousand Birds Symphony
(2021 -  Hungersleep Records - UK)

https://grice.bandcamp.com/album/one-thousand-birds-symphony

A majestic program of partial symphonic compositions mixed with not only actual field recordings of various birds and other nature sounds, but also brilliant electronically created sounds, then arranged around the melodies and songs from the original 'One Thousand Birds' release GRICE made in 2019. This masterpiece entailed quite a sum of patience (9 months of collecting bird calls/songs around the clock) and intellectual creation in the formation of an entirely new project, with even the theme fully changed from that of the initial album.

It would be a cruel act to leave out the identification of the many winged creatures who performed so angelically, and who sound as if they knew they were needed to give their voices to the world, at this time. Although the Bandcamp link above gives this info, I am proud to list them in my review as well (being a bird lover as I am). The Birds (in order of appearance):

Robin (Erithacus rubecula)
Blackbird (Turdus merula)
Song Thrush (Turdus philomelos)
Chaffinch (Fringilla coelebs)
Dunnock (Prunella modularis)
House Sparrow (Passer domesticus)
Coal tit (Pariparus ater)
Long tailed tit (Aegithalos caudatus)
Blue tit (Cyanistes caeruleus)
Gold finch (Carduelis carduelis)
Cockerel (Gallus)
Tawny owl (Strix aluco)
Pigeon (Columbidae)
Carrion Crow (Corvus corone)
Woodpecker (Picidae)
House Martin (Delichon urbicum)
Raven (Corvus corax)
Magpie (Pica pica)
Jay (Garrulus glandarius)
Starling (Sturnidae)
Bittern (Botaurus stellaris)
Canada Goose (Branta canadensis)
Buzzard (Buteo buteo)
Red Kite (Milvus milvus)

 The music is far from simply a nature recording, so lets us grasp some of that. The music begins with a lush orchestrated piece, but each title moves across terrain not alien to early Mark Isham, Rain Tree Crow, Ryuichi Sakamoto, Jon Hassell, and Jansen/Barbieri (to give you a cache of similar artists). The layout of score is exemplary, and moves beautifully as an eagle across the pale blue morning sky. Just as intended. The listener is served with powerful (but not intrusive or ever overpowering) strings, which most striking are the cello of Eliza Carew. The rest of the musicians are :  GRICE - acoustic & electric guitars, keys, piano, percussion, vocals, programming, sound design, bird mangling / Duncan Chave - sound design, bird warping / Al Swainger - bass guitars, pedals, french horn / Fred Ehresmann - piano and /Luca Calabrese - trumpet. Each artist makes this the best it can be, with many playing multiple instruments, as you can see. Additional credits are listed on physical CD and Bandcamp link.

Ten pieces filled with comeliness and transient tones, and deliverance of stress - this is only a portion of what comes in 'One Thousand Birds Symphony'. Of course this was forwarded in the Covid shutdown when the sweet birds were still allowed to roam free, so thus Grice Peters used his clever mind-set to take advantage. We are the lucky ones rewarded by his, along with all the other musicians skills.HIGHLY RECOMMENDED (and listed on TOP CHOICES of 2021 here at Big Beautiful Noise).   
 
   ©Reviewed by Lee Henderson  2 - 2 - 2022
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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