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KEEP MIN 2 DOT
Wounded Golden Section
(2018 - self release - USA)

https://keepmin2dot.bandcamp.com/

A remarkable mathematical (in several ways) puzzle of earthly delights. Heady without question. Since there is math rock, then let us call Hal Dean's debut masterpiece math avant-garde. With a number of tracks (30) that translates to a double album, this is precisely what Hal has plans for. A limited edition double vinyl album. Funds from sales of the download are to aid in just that. These 30 compositions are a display in creative brilliance, that have a gracious amount of twists and spring loaded hops. It could easily fit on the ReR label, with all the polka dot hybrid Jackson Pollock splashed paintings as music. The songs go about like a parade of rogue zombies, except they definitely have a cerebral intent, and have not totally lost their mind (yet).

As for the name of the band, Keep Min 2 Dot was taken from a road sign concept, that seems to appear only on a road going out of Delaware to Pennsylvania, which explains the patches of dots on the road, as being the distance a car should have from one another while driving. Hal explains it in a more academic way but suffice to say, that is where he got the name for the band. It also reminded him of the relation that could easily be on a music score, or experimental music notation. As for the title of the album, well that goes into a deeper realm of early mathematician theories from 13th Century Fibonacci and his Golden Section. In which its series of numbers are found everywhere in nature and mathematics. Artists have been using them as organizing principles for centuries. To perk your interest, Fred Frith said he used Fibonacci numbers to establish beat and harmony for 'Ruins'.  So Dean took this concept into his own thinking and gave it added notions. The wounded part is a view of how the natural beauty of our world, that once existed, has been abused and harmed. Gone are the possible utopias that could have been. The story goes deeper and the double album will reward the buyer with a booklet that speaks more of this. It is all a beautiful layout with a bit of humor tossed in at spots.

Howl Din (Hal Dean) plays bass, various guitars, keyboards, synthesizers, double reeds, flute, viola, violin, cello, oud, trumpet, saxophones, drums, percussion, loops, mouth, sounds and/or vocals. (and anything you hear that the other 3 people listed do not play). Hal also produced, recorded (Dave Newhouse sent his parts via File Sharing) , mastered, and composed all of the music. Contributions were by Dave Newhouse (accordion, saxophones, clarinets, and flutes), Nick Millevoi (electric guitar), and Matt Stein (double bass).  The recording took place over a period between Spring 2012 thru Autumn 2018, at Sycamore Canopy Studio, Wilmington, Delaware.

The partial list Mr. Dean states as his influences, (and it was only a fraction of what he has been exposed to and fostered by) will allow you to begin to imagine all the facets and doses (small and large) of styles that show up on this very smart and playful collection of compositions. I heard so many delicious things that could compare to favorites like Picchio dal Pozzo, Stravinsky, Samla Mammas Manna, Lars Hollmer, Debile Menthol, Fred Frith and related artists, plus more than I can list here. The notable thing is that the entire recording is so listenable and compelling. Just when the listener thinks the more complex interplay is afoot, a wash of mellotron sneaks in, or sweet string pads. It even gets a bit orbital in spots. If you divert your attention elsewhere, do not be surprised when the music sucks you right back into front and center.

The music is demanding, and although it probably should come with a warning label, "listening to the entire 30 tracks in one sitting may wear your brain out", I declare that everyone needs a good mind exercise. It is clearly a good feeling of exhaustion, the kind that gives you satisfaction that you grew a few more brain cells. After I named this one of my Top Choices for 2018, I have been all too happy to share this with people. Very intellectual and timeless, 'Wounded Golden Section' is overwhelmingly great and ULTRA HIGHLY RECOMMENDED.

  ©Reviewed by Lee Henderson 2 - 18 - 2019
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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