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King Crimson_Live In Chicago_2017_COVER.

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KING CRIMSON

Live In Chicago : June 28, 2017

(2017 – INNER KNOT – USA)

[Note: I have the King Crimson Club edition

– hardbound double CD with nice booklet inside.

Import versions are also available such as the Japanese]

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https://www.dgmlive.com/

The release of this official “bootleg” as it is called, gave some of the most interesting words from Mr Robert Fripp in the booklet, inside of the 2 CD ‘King Crimson Club’ hardbound package, one will ever read. In this interview, Fripp talks about all the different ‘definitive formations’ of Crimson, which is must read content. Rather than rehash all that, I suggest anyone that ever had (or has) even a touch of love for this master progressive band of the earth, do yourself a great service and purchase a physical copy of ‘Live In Chicago : June 28, 2017. Not only does Fripp call this an exceptional live show by his band., I also call it one of the top live recordings from the vast collection of live releases ever by King Crimson, and I own dozens of their concert recordings starting with early bootleg cassettes (that was the only way they came back in the 70’s and 80’s) to grand DVDs, and a host of CDs that Inner Knot have been releasing over the last decade.

One must forget, or forgive, Robert Fripp’s past statements about not wanting to live in the past, or more at, perform old compositions from the early Crimson releases. If you have followed much of the banter through the years, then you know Fripp is apt to change his mind and do things that no one else would fathom. His most important descriptions of his gathering of high level musicians are re-invent and re-imagine.

So here we are with yet another extension of a band member concoction made up of three drummers (Gavin Harrison, Pat Mastelotto, andJeremy Stacey, who also plays keyboards)

, two guitarists (the master himself Robert Fripp, who also plays keyboards, and Jakko Jakszyk, also on flute and lead vocals, a sax/flute player named Mel Collins (a god to Crimson fans from way back), the one and only Tony Levin on basses, stick,and voice, and former drummer but now keyboardist Bill Rieflin. Fripp refers to this as the eight headed beast. Once you listen to this almost overpowering concert, you’ll understand why.

It is the instant attention to detail and the humongous power the band displays on this live show that takes the listener by storm. Also a five star sample of the entire catalog of studio releases are presented and done in a way never done before. Meaning that they have new life and are often breathtaking. Some new songs are also performed so as to give icing on the cake. After the intro ‘Bellscape & Orchestral Werning’ (an ambient piece to warn the audience of what is to come), the band does a blitz with a 9 1/2 minute version of ‘Larks’Tongues In Aspic, Part 1’.  Hold on you your hats because it is followed by a drummers onslaught version of ‘Neurotica’ and a magicians display on sax by Mel Collins.  A treat from Jakko comes next, who wrote the lyrics  to ‘The Errors’ , a new and never released slightly eastern sounding track that could easily fit on to any of his solo releases. Jakko also sings ‘Fallen Angel’ as close to John Wetton as anyone ever could. A first ever live version and a beyond belief version of the song that will thrill all ‘Red’ lovers. ‘Islands’ will bring you back to your feet only for a moment until you drift back up into the ether again, from it’s intoxicating allure and pastoral bliss.

‘Indiscipline’ starts off Disc 2, with pristine energy and everything you want plus more. ‘Easy Money’ breathes new life and made me almost cry with joy, since ‘Larks’ Tongues In Aspic’ has always been my sentimental favorite Crimson album. They do both parts of that title song as well. It’s hard to ever imagine a live show without that Stravinsky fed masterpiece, at least for me.

‘Interlude’ presents some wandering bass work with quivering flute for a whimsical break in the more aggressive stuff. The 15 minute ‘Starless’ is a sweet course, just before dessert. They do a wonderful cover of David Bowie’s ‘Heroes’ (a tribute, since Fripp was so involved with that album). The final song on the second disc ’21st Century Schizoid Man’ is a crushing 16 minute powerhouse that will leave whatever senses you have left, on the floor. It would take me pages to try and talk about each song but understand that every note is in place, and this concert is a historical one, to say the least. Each musician is at their peak and spot on. The set lists are perfectly arranged so you get a back and forth of modern and old, heavenly and dashing, animated and unbelievable. I’ve included the song list from both CD’s below for your interest. The band line up is Robert Fripp (guitar, keyboards), Mel Collins (saxes, flutes), Gavin Harrison (drums), Jakko Jakszyk (guitar, flute, voice), Tony Levin (basses, stick, voice), Pat Mastelotto (drums), Bill Rieflin (keyboards), and Jeremy Stacey (drums, keyboards).

This affair was audacious, incredible, and totally unreal. Not since the 2016  CD/DVD prized live release of ‘Radical Action To Unseat The Hold Of Monkey Mind’ (which I own the blu ray, DVD, 3-CD box set of), which gives fans a grand visual concert (and quite a different set of songs), have I been so stunned by King Crimson’s performance. No complaints, no ifs ands or buts. This is an amazing package that will remain as one of the best live releases I have ever owned. So recommended I can’t even put the right words in front of the word. RECOMMENDED WITHOUT QUESTION (so I put it after).

Reviewed by Lee Henderson 2 – 28 – 2017

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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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