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NITS
Tree House Fire
(2024 - Werf Records - Netherlands)

Take a listen:
https://www.youtube.com/watch?v=ndEZMsU52Es&list=OLAK5uy_mz4R0ikXmoTcL29V9FZFgnkOJOEi2vOmQ&index=3

https://www.youtube.com/watch?v=GznRPtvNWEQ&list=OLAK5uy_mz4R0ikXmoTcL29V9FZFgnkOJOEi2vOmQ&index=5

BUY at NITS SHOP!!

https://www.shop-nits.nl/shop/

Tragedy can rip the soul out of the true artist, and in extreme cases, it nearly destroys them, but stands them back up again, to perform at their best. I have heard some very sad songs among the dozens of albums (since the formation of the band in 1974) but they were always peppered with sometimes high spirited pieces, often with a slice of humor, and always fused with unforgettable hooks, lyrics, and atmosphere. So it should not come as a surprise under the circumstances as to how and why this EP came about (a tragic fire that burned down the band's studio) . The songs are not only sombre, but reflective, and full of melancholy, with a pinch of warmth (showing the fond memories the members each had of their much loved recording studio). It needs mention that 'Month of May' is somewhat upbeat and with a bouncy rhythm, all the while giving another deeply impressionistic glance of the memories from this special place (studio). These songs are huge.

One cannot deny that the six songs have an affect that captures the musicians with a heavy heart, and partly minus the energy of early years (compute age with that for a fair call). But these tunes also express raw emotions, what is true, and from the guts of each artist present. As any old fan would expect, every composition is gorgeous! The arrangements perhaps more sparse than usual, but with multiple listens, the bars open up and sneak plenty of that Nits atmosphere in.  There are also some secrets here and there, buried in the lyrics (depending on how good your history is with the band, one will have a good hunt in a couple of discoveries). The only thing that has really changed about the Nits music, is where it was recorded (tracks 1-4 at Studio 150 and tracks 5-6 at Studio de Generator).

Still in perfection are the vivid musical paintings, rich descriptions in the vocals, and their extremely high skills in musicianship. These poetic communicators are still among the best in the world at what they do, and most fans know of the talent these musicians possess (for instance R.J. Stips was with Supersister, and stints with Golden Earring, Gruppo Sportivo, Transister, and number of solos, and various other guest spots over the decades). Each member has released solo work and many other guest seats. Pages could be written of the discographies, but I will keep focus on this noted release.  

The core band stays strong : Rob Kloet (Drums, Percussion, Whistle), Robert Jan Stips (Synthesizers, Keyboards, Vocals), and Henk Hofstede (Vocals, Guitar, Piano). And they bring in three exceptional female backup vocalists (on tracks 2,3, & 4) : Jane Bordeaux (Backing Vocals), Sacha de Bruin (Backing Vocals), Sheena Tchai (Backing Vocals).  It is highly suggested that you buy either the vinyl or the compact disc, as it has a four page booklet with lyrics and many details. Also a much appreciated gesture to a band who lost much of their equipment and lifelong belongings. If you miss the larger than life music that often showed up on each recording of the past, then enjoy 'Big Brown Building Burning', and 'The Bird' which  both have the same huge sound the band created with only three or four musicians (even live), and retains the superb story telling method Nits have always had. If you want dramatic, then absorb 'The Attic', which has to be among the most striking Nits songs ever written. By the way, the two things still remaining from the fire were the tree and the bird, so it is easy to hear and feel the further emotions in those works. The more listens, the more stunning !!  A promise from this author. HIGHLY RECOMMENDED!!!

  ©Reviewed by Lee Henderson  2 - 10 - 2024


 
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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