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ORCHESTRA OF THE UPPER ATMOSPHERE_Theta
ORCHESTRA OF THE UPPER ATMOSPHERE
Theta Five
(2020 - Discus Music UK)

https://discusmusic.bandcamp.com/album/theta-five-101cd

https://discus-music.co.uk/catalogue/dis101-detail

Imagine a grand combination of classic 70's gems 'Islands' by King Crimson, 'In Search Of Ancient Gods' by Absolute Elsewhere, but a far more ghostly version of those, plus some acid influenced Andreas Vollenweider (addng Harp), a good dose of Krautrock exploration, and that notable fuzz toned Canterbury minus the vocals of 1969 diamond Arzachel. This begins a more involved description of the tapestry Orchestra of the Upper Atmosphere weave in their fifth release on the outstanding Discus Music label. The addition of Jan Todd's otherworldly voice (much like her Frostlake albums) brings in even more dimension and mystery. The electronics are first-rate and the ability of the band to create a well organized balance of space, time, and density is amazing. That covers the first two tracks.

The equal musicianship of Martin Archer (keyboards, electronics, saxophones, clarinets, flutes, recorders, melodica, voice), Steve Dinsdale (electronic drum kit, synth), Jan Todd (vocals, lyrics, electronics, celtic harp, luke harp, korg wave drum, keyboards, bowed electroacoustic bass, idiopan), Yvonna Magda (violin, electronics), Walt Shaw (acoustic percussion, electronics, voice), Lorin Halsall (double bass, electric upright bass, electronicsand), Andy Peake (Rhodes piano, synths), and Terry Todd (bass and electroacoustic bass guitars) bring about a magical chemistry not found too often in groups this size. Fans will notice an 8 piece outfit this time.  With a match of playfulness, spacious groove, and flowing exploration (the tripping type), 'Theta Five' gives the listener another spectacular aural pleasure.  The musicians involved have extensive backgrounds in many genres, including free jazz, smart improv, electronics, various fusions, and of course all the styles I already mentioned in this review.  This album was started with totally improvised sessions, then later (over months) honed and made richer with vocals and some composed parts. Thus, the whole is full of spark and elation.

All the pieces are extended (there are only four) but the one of greatest length ('Pillared Space' 42:03) really dives deep into the celestial beyond, with about as a psychedelic journey as ever was created (even from those wondrous early 70's gems), plus added acid folk doses, more heavenly vocals by Jan Todd, which takes you back to the 60's paisley folk era full of the innocence and dreams we all once had. Soon enough though, comes distortion and a bit of chaos, still keeping a lost in space atmosphere. This stuff really blasts off into unknown orbits, and the audience is given a thrill ride, then calm, and surprise, and calm, and a world full of colors, emotions, and peace, after the many events. The last work ('Zyxomma' 09:01) takes off with a driving bass, groove along drums, organ, a bit of gothic trippy fast paced Richard Burmer infused greatness. Yes, I did just get transported back in time, and I did not mind one bit.  As usual, I have to thank Martin Archer and company, of Discus Music, for the superior packaging of the physical CD. They still come with the plastic inner sleeve to protect the disc, and this is with a 6 panel full color glossy digipak, totally classy and well thought out. HIGHLY RECOMMENDED!

©Reviewed by Lee Henderson 2 - 16 - 2021


 
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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