top of page
PIERRE VERVLOESEM_Artiste International_
PIERRE VERVLOESEM
Featuring Morgan Agren
Artiste International
(2019 - Off Records - Belgium)

https://pierrevervloesem.bandcamp.com/album/artiste-international

 From a conversation with Pierre, telling me that his next solo release was with the one of a kind Morgan Agren on drums, I expected nothing less than far past the ceiling music. The listener gets this very thing, a high level of work, in which the two musicians are simply listed in credits as Pierre Vervloesem - non drumming/ Morgan Agren - drumming. If you know much about these two earth shakers in the inventive/progressive music world, over the last decades, the credits are plenty sufficient.

To give a bit more information, Pierre played all instruments except drums , and he recorded (except the drums, which Morgan did at his studio in Sweden, Studio Annanstans), mixed, edited, and mastered the project. The album features some of Vervloesem's finest lead guitar work ever. 'Artiste International' (his previous solo was titled 'Artiste Beige' - also 2019) is all instrumental and the majority of the pieces have a fast pace, head on attack, and added changes for a roller-coaster ride experience. The once drummer for a Frank Zappa cover band in Sweden, who has done countless guest spots and laid down some stunning drum work in his Mats/Morgan band, stays in his hyper mode much of the time. With his trademark turn on a dime, tight as a blood filled tick,  and creative four limbs, he dresses up Vervloesem's guitar, bass, keys, and all effects, in each composition, like perfectly adorned Christmas Trees.  The listeners will enjoy a slew of odd time signatures, a carnival of thrills, and then some.

This may be the most hybrid album of former member of X-Legged Sally and Pierre's solo life. With his more recent adventures in electronica laced pieces, and love for aggressive wake up call passages, 'Artiste International' has it all and more. If you love the Mats/Morgan releases, you will find much to imbibe on here. After all, you have two of the top tier musicians on the planet working together. Twelve pieces (43:02 mins) that are put together like precision Swiss watches of yesteryear. Perfectly fit, arranged, performed, and concluded.

With such a masterpiece here, there is little more that need be said. The status of both musicians say it in volumes. And we all know Vervloesem is a wizard of many trades. So the workmanship is premium. A final word is to instruct the reader to go buy this release at all costs, sit back, listen, absorb, and give your musical mojo a fix. VERY HIGHLY RECOMMENDED.

  ©Reviewed by Lee Henderson 8 - 31 - 2019
​
​
AQUA FRAGILE_Moving Fragments_COVER.jpg

© 2023 by Name of Site. Proudly created with Wix.com

 
 
BIG BEAUTIFUL NOISE
 

A  magazine focused on inventive, progressive, and creative music in any genre that stands out from the rest
​
​
​
​
Payments of any amount (all donations, no matter how small, are truly cherished) can be sent by PAYPAL  to:
drumlee@proton.me
​
This magazine exists on kind donations and music related advertisements (although the ads are limited and in no way accepted for favors in reviews). All funds are used to pay for website, domain, and the endless hours of work that is required to keep the reviews and various information  in process. Any donation is extremely appreciated. Thank you.
​
Donate with PayPal

ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

bottom of page