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SECURITY PROJECT

Contact (2017 – 7D MEDIA – USA)

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http://music.securityprojectband.com/album/contact

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Third release, this time all live, from hybrid collection of ex-Crimson/Gabriel and ilk artists Jerry Marotta – Drums, B.Vox (played on first five Gabriel  albums), Trey Gunn – Touch Guitar, B.Vox (of King Crimson), David Jameson – Keyboards, Eigenharp,  Michael Cozzi – Guitar, B. Vox (from Shriekback), and the newly added ultra-gifted and brilliant multi octave female vocalist Happy Rhodes (Voice, vocals).

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For those who usually shy away from cover bands (such as myself), let me say from the start, this is something that anyone who loves Peter Gabriel and/or Kate Bush will not want to miss. It’s not as if this is some amateur group of unknowns, as anyone can see the line up on the credits. Stunning performances, execution, and display of what is as close (and sometimes better) to these giant talents (Gabriel/Bush) as you can ask for. Recorded live in USA (2016) and Japan (2017), this is one delicious and a most attention grabbing delivery of these cover tunes ever performed. Only Peter and Kate could pull this off as well. ‘Lay Your Hands On Me’ is a tongue bite bleed of a concert, with what I think is superior to the original, and I realize that is saying a lot.

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A one of a kind singer who can deal effortlessly with both male octaves as well as higher plateau pitches, with the ease of Mrs. Bush, does an astounding job on ‘Mother Stands For Comfort’.  Her part on ‘Games Without Frontiers’ is unreal. Few female vocalists can pull off both Gabriel and Bush in a single concert, but listen for yourselves, as this feat is done without a flaw by Happy. I own every recording she has released and was fearful, after not hearing anything from her in a decade, that she might have left the music world. When I saw her appearing on this 2017 release from Security Project, I was overjoyed, and could not wait to play it. She has never seemed to wish for publicity or fame, but it is sure to get her better known after so many of her own incomparable recordings. ‘Contact’ could have never been as great as it is without Happy bringing in her matchless talent. Of course there is no doubt about the rest of the band members making this the best release of cover tunes on the planet. Eleven songs (actually 12, since ‘Games Without Frontiers’ is extended with ‘Of These, Hope’) revisited and magnificently performed. A HUGE RECOMMENDATION. (See song list below)

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Reviewed by Lee Henderson   11 – 4 – 2017

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SONG LIST

1. Lead A Normal Life  04:04
2. I Don’t Remember  04:13
3. San Jacinto  08:15
4. Intruder  04:17
5. Rhythm Of The Heat  04:56
6. Mother Stands For Comfort  03:37
7. No Self Control  04:14
8. Family Snapshot  04:40
9. I Have The Touch  04:39
10. Games Without Frontiers / Of These, Hope  08:08
11. Lay Your Hands On Me  05:54

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A  magazine focused on inventive, progressive, and creative music in any genre that stands out from the rest
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This magazine exists on kind donations and music related advertisements (although the ads are limited and in no way accepted for favors in reviews). All funds are used to pay for website, domain, and the endless hours of work that is required to keep the reviews and various information  in process. Any donation is extremely appreciated. Thank you.
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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