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theBABAorchestra

Another Ride on the Elephant Slide

(2017 – THIRSTY OWL RECORDS – USA)

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http://www.laurenelizabethbaba.com/baba/

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https://thebabaorchestra.bandcamp.com/album/another-ride-on-the-elephant-slide

 

What would you say to a fantastic avant jazz big band that covered grounds similar to Carla Bley, Michael Mantler (once married to Carla Bley), Scott Joplin, Aaron Copland, and much more on a short but lusty recording? Read on. Composer and conductor (also plays violin and viola) Lauren Elizabeth Baba, with a 17 piece experimental big band from Los Angeles, recorded this masterpiece at Seahorse Sound Studios, in LA, CA.  This could fit into a RIO category for lovers of Elton Dean’s Ninesense, Flat Earth Society, and even nods to haunting chamber bands such as Univers Zero, and Art Zoyd. This brilliant work is superior and ultra inventive .  From the first seconds and through the entire recording, you’ll be hooked and more than happy. I think the proper word is elated.  I am still floating days after last hearing ‘Another Ride on the Elephant Slide’.

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Plenty of trumpets, clarinets, tenor and baritone sax, trombone, along with guitar, piano, bass, and drums, are used in Baba’s compositions, to not only rub a new shine on avant chamber music, but also mesh perfectly with big band and diverted gothic soundtrack. While not without an occasional sax attack, the music weaves like a large anaconda on the prowl for a meal. The pace recoils from a few seizures to creeping explorations, then off to jiffy trippy jazz parts (that could be a 1960’s secret agent theme song). And let us not leave out the upright bass solo. ‘Zaa’tar’ (track 5) also gives an exotic eastern taste with dynamics to die for. It’s a rhythmic showpiece with cool written all over it. ‘Another Ride on the Elephant Slide’ (last track) will leave you spellbound with it’s Henry Cow/Carla Bley/hybrid dixieland/ragtime and undercurrent of blues/new world jazz concoction. FANTASTIC! With only six compositions on this release (4 of them being in the 10 minute range), there are even moments that would fit on a ECM jazz item. Baba does a crowning job of putting these charts together and connecting so many difficult junctures, not to mention the energy and concentration each musician must have to make all this a reality. It is with this, I present the entire Baba Orchestra (or theBABAorchestra, as it is always spelled).

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Lauren Elizabeth Baba · conducting | compositions

–Michael Mull · alto saxophone | clarinet , Joe Santa Maria · alto saxophone | clarinet , Kirsten Edkins · tenor saxophone, Andrew Conrad · tenor saxophone | clarinet, Ryan Parrish · baritone saxophone, Javier Gonzalez · trumpet, Brandon Sherman · trumpet, Andrew Rowan · trumpet, Greg Zilboorg · trumpet, Harrison Kirk · trombone, Joey Sellers · trombone, Shaunte´ Palmer · trombone, Juliane Gralle · bass trombone, Gregory Uhlmann · guitar, Steve Blum · piano, Emilio Terranova · bass, and Mike Lockwood · drums.

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Attending a live show of this would be both a thrill and experience not soon, if ever, forgotten. With the beautiful blend of angular rhythms, multiple textures, direction changes galore, cross culture unpredictable next moments, rich tapestry, and bold fusion, you will thank me for VERY HIGHLY RECOMMENDING  this superlative work. The icing on the cake is the very nice grey scale art fold out digipak with a picture of Lauren conducting theBABAorchestra inside.

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Reviewed by Lee Henderson 4 – 1 – 2018

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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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