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VILDA
Vildaluodda / Wildprint
(2019 - Bafe's Factory - Finland)

https://www.youtube.com/watch?v=Se3rJNIyw6U

https://www.youtube.com/watch?v=Q5R9d2USULE

ORDER CD HERE:  https://docs.google.com/forms/d/e/1FAIpQLSemR4l2KAKJQszRppqsZQl-_aTvKbsmwITxD6hYmcW-ha0Xwg/viewform

[for North America, you can order CD at Amazon]

By the time you finish listening, you will be left speechless, or in such a state of mind, you will just smile and feel release. Another superior album released by the award winning Finnish (Helsinki) independent music label Bafe's Factory. This duo consists of Hilda Lansman (Samiland/Finland) - vocals, joik, drum, and Viivi Maria Saarenkyla (Finland) - accordion, backing vocals. A wonderful list of guests include: Niillas Holmberg on backing vocals; Venla Ilona Blom on beatboxing and backing vocals; Mikko Heikinpoika Neuvonen on throat singing and backing vocals; Stiliana Ravelska Tyrkko on violin, viola; and backing vocals; Christopher Rodulfo on calabash, hand clapping and backing vocals; Nathan Riki Thomson on hand clapping; and Mikko Renfors on programming.

Hilda is the daughter of Ulla Pirttijarvi (who also did a project recently under the name Assu) which if you have been keeping up with my reviews, you will know I put a collaboration of her and her daughter's pristine debut release Solju 'Odda Aigodat/New Times', on my TOP CHOICES of 2018 list.

Vilda bring in modern pop elements at times, but never making it a majority, only a part of the music, and not done in a novice or trendy manner. With haunting effect, even the techno beat influence is done with extraordinary mysticism. The accordion has that wet reverb, as if being played from a cave much of the time. The balance of slow dreamy meditations and upbeat yoik (the ancient singing tradition of the Sami) are unearthly, and in that surrealistic state, on a plateau far above the clouds (at least for western ears). They do a superb version of a Marie Boine composition 'Goaskinviellja - Eagle Brother' (track #8), which brings about the incredible vocal capabilities from Hilda, and the larger than life talents of Viivi on accordion.  (see 2nd link on You Tube provided above)

The album cover displays the music well, speaking of, the physical package is gorgeous, with a 6 panel digipak, adding another stunning photo of the two women, plus info and lyric booklet. The two musicians met after hearing each others previous music, with the idea that the traditional Finnish accordion and the yoik could be brought together. 'Wildprint' is the result, a heavenly outcome. Certainly a ornate hybrid of traditional folk, boundless Sami, and music that glistens in the ears of the audience. Each woman provides compositions for the project. Production, mixing, engineering, and mastering is done to perfection, as is every notes played by everyone involved.

Vilda have created a treasure with a phenomenon of shaman spirit, shadow, sunlight, sacred places, and special hideways. 'Wildprint' is spatial, contemplative, and a journey both intimate and overflowing with life. How can any music be more beautiful than this I ask? HIGHLY RECOMMENDED.

  ©Reviewed by Lee Henderson 6 - 10 - 2019
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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